Tina Brown Critiques Meghan Markle’s Netflix Series “With Love, Meghan”
Former Vanity Fair editor Tina Brown has delivered a harsh critique of Meghan Markle’s newly released Netflix series, “With Love, Meghan,” in her Substack newsletter, “Fresh Hell.” Brown’s review highlights her belief that Markle’s show embodies “fake perfection” and comes at a time when public sentiment has shifted against such portrayals.
Former Vanity Fair editor Tina Brown has some harsh words for Meghan Markle and her new Netflix series.Netflix
Accusations of Timing and Authenticity
In her analysis, Brown accuses Markle of having an “unerring instinct for getting it wrong,” particularly emphasizing the timing of the show’s debut. She argues that Markle is attempting to present a polished image just as societal trends are moving away from such notions. Brown states, “[She] has never figured out a convincing persona,” suggesting that Markle’s attempts to craft an influencer-like identity have fallen flat, making her seem like “the ultimate follower.” Brown expresses her discontent with the show’s opening scene, which features Markle in a beekeeper outfit discussing bees with an apiarist. She describes this moment as “preposterous,” arguing that it sets a tone for the series that fails to resonate with viewers.
She called out the show, titled “With Love, Meghan,” for displaying “fake perfection.”COURTESY OF NETFLIX
Reflections on Royal Decisions
Alongside her critique of the series, Brown reflects on Markle and Prince Harry’s decision to step back from royal duties. She suggests that it would have been more strategic for the couple to wait until after Queen Elizabeth II’s passing in 2022 to reassess their roles. Brown believes that had they chosen this path, opportunities for global engagements and public appearances would have naturally arisen, particularly once Prince William assumed his role as Prince of Wales. She asserts, “All Meghan had to do was shut up and wait,” implying that their impatience has led to missed opportunities. Brown further states that the couple’s quick exit from royal life has contributed to their alienation from the royal family.
Criticism of Impatience and Planning
Brown goes on to label Markle as “too damn impatient,” criticizing her for taking on projects prematurely. She points to Markle’s recent trademark issues with her lifestyle brand, American Riviera Orchard, as an example of poor planning and lack of due diligence. Brown argues that Markle’s “ravenous quest for prestige” puts her in a constant cycle of seeking to rehabilitate her public image.
Mixed Reception for “With Love, Meghan”
Despite Brown’s scathing review, “With Love, Meghan” has not been universally panned. While UK critics have labeled the series as “an exercise in narcissism,” it has managed to secure a spot in Netflix’s Top 10 globally and in various countries, indicating that it resonates with some audiences. The series has already been renewed for a second season, suggesting that it has garnered a dedicated viewership despite the criticism.
Conclusion: Controversy Surrounding Markle’s Public Image
In summary, Tina Brown’s critique of Meghan Markle’s Netflix series underscores the ongoing controversy surrounding the Duchess of Sussex’s public persona and choices. Brown’s insights reflect broader tensions between personal branding and public perception, particularly in the context of Markle’s previous royal status and current endeavors. As discussions about the series continue, it remains to be seen how Markle will navigate the complexities of her image in the evolving landscape of celebrity culture.
